Alright, so let’s be real—I went into Lokah: Chapter 1 – Chandra with a bucket of popcorn, way too much hope, and a tiny bit of fear that I was about to waste my Saturday night. I’d just finished grading papers (perks of being a teacher, I guess), my kid was busy with practice, and my wife was chilling. When she told me there’s a new Malayalam-Tamil superhero flick rooted in mythology, I was like, “Okay, now we’re talking!”
I’ve seen enough superhero movies—both Hollywood and our desi attempts—to know that they’re either gonna blow your mind or make you regret your ticket money. And this one? A female superhero lead, folklore mixed with modern city life, plus the hype of a potential cinematic universe. My expectations were sky-high. The lights dimmed, the screen glowed, and I thought—this could either be the next big thing or just another messy wannabe franchise starter.
Unraveling the Plot of Lokah: Chapter 1 – Chandra
The movie wastes no time. Bam—you’re thrown right into the middle of things, and honestly, I thought I’d missed the first 10 minutes. Chandra (Kalyani Priyadarshan) enters Bengaluru carrying a mysterious past and ancient powers, yet casually works at a café. Cool idea, but the execution? A little jarring.
Then comes the organ trafficking subplot. I’ll be blunt—it felt like it was pulled from another script and glued in here. Yeah, it gave Chandra chances to unleash her powers (which was fun to watch), but it also distracted from the real meat—the mythology and who she really is. Instead of giving us one tight story, the film seemed more obsessed with setting the chessboard for Chapter 2. Ambitious? Sure. Risky? Absolutely.
Watch LOKAH CHAPTER 1: CHANDRA - Tamil Trailer Here
Performances That Kept the Movie Alive
Let me say this loud: Kalyani Priyadarshan carried this film. From her fiery stare to the way she owned the action sequences, she was totally believable as this ancient, godlike warrior trapped in a modern world. She wasn’t just flexing power—she carried emotional depth too, which made her more than just a “superhero type.”
On the flip side, Naslen was the comic relief we didn’t know we needed. The dude cracked me up, but more importantly, he made Chandra relatable. He asked the same questions we, the audience, were thinking. Together, their chemistry felt natural, like two friends navigating chaos.
And oh boy, the cameos—without spoilers, let’s just say they were clever, not cheap. You could feel the filmmakers planting seeds for a larger universe without forcing it. Honestly, the casting department nailed it.
Visuals and Music: The True Showstoppers
Now here’s where Lokah really flexed. The visuals were… stunning. I still can’t shake off that sequence where Chandra floated through glowing ruins—it felt like watching a painting come alive. The cinematography was rich, the VFX surprisingly polished for a regional film, and the action had real weight.
Jakes Bejoy’s background score? Goosebumps. Epic when it needed to be, subtle in emotional moments. The music elevated scenes that otherwise might have fallen flat. At times though, I couldn’t shake the feeling that the breathtaking visuals and sound were doing a magic trick—distracting us from weak story threads. Still, credit where it’s due: this film looked and sounded amazing.
Where the Movie Shines and Where It Stumbles
The Good:
- Bold attempt at building India’s own cinematic universe.
 
- Kalyani Priyadarshan absolutely slays as Chandra.
 
- Naslen’s humor balances the heavy mythological tone.
 
- Stunning visuals + Jakes Bejoy’s score = sensory delight.
 
The Not-So-Good:
- Story feels unfocused, almost like a teaser for the next part.
 
- Organ trafficking subplot feels out of place.
 
- Some world-building overshadows character development.
 
If you’ve seen other Indian superhero experiments, you’ll notice the same issue—ambition often outpaces execution. Lokah does better than most, but it still struggles to balance spectacle with substance.
Final Thoughts: Lokah Is Bold but Imperfect
Here’s the thing—Lokah: Chapter 1 – Chandra isn’t flawless. The story sometimes loses its way, and the subplots don’t always click. But man, the ambition deserves respect. The visuals and music are next-level, and Kalyani delivers a performance that makes you believe in this character.
Would I rewatch it for the story? Probably not. Would I rewatch it for the visuals and score? Heck yeah. If you’re into fantasy, mythology, and want to support regional cinema pushing new boundaries, give it a shot.
Final Star Rating: ⭐⭐☆☆☆ (2/5)
Now I’m curious—what did you think? Did the movie blow you away or leave you scratching your head? Drop your thoughts in the comments—I’d love to hear your predictions for Chapter 2.
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