Maaman Movie Review: Soori’s Struggles in a Flawed but Honest Family Drama That Feels Too Real Sometimes

🎬 Synopsis

Maaman tells the story of Inba, a loving uncle whose world revolves around his sister and especially her son, Laddu. When Inba gets married, he finds it impossible to balance his new role as a husband with his old role as a second father. As Laddu's demands grow more intense and disruptive, the film explores how unchecked affection, blurred family roles, and emotional boundaries can lead to conflict, chaos, and heartbreak.

🎥 Director

  • Prasanth Pandiyaraj

👥 Cast

  • Soori as Inba
  • Aishwarya Lekshmi as Reka
  • Swasika as Girija
  • Rajkiran
  • Viji Chandrasekhar
  • Prageeth Sivan as Laddu

📽️ Maaman Movie Review


If you’ve ever sat through a gathering where a toddler completely takes over and no one says a word—Maaman captures that vibe perfectly and stretches it across 150 minutes.

Soori plays Inba, a soft-hearted uncle who practically lives for his nephew Laddu. Things get complicated when he marries Reka (Aishwarya Lekshmi), a composed and intelligent doctor who walks into what she thought would be a marriage—and finds herself stuck in a daycare instead.


Laddu, played by Prageeth Sivan, is no ordinary kid. He’s demanding, dramatic, and disturbingly effective at hijacking every moment. Whether it’s interrupting his uncle’s wedding night or making a scene during what should be a romantic honeymoon, Laddu’s presence becomes overwhelming. The film tries to play his antics for laughs or “aww” moments, but they mostly land with the awkward thud of a public tantrum.

Soori delivers a sincere performance, though his character often comes off as clueless. Aishwarya Lekshmi, on the other hand, grounds the story with her measured portrayal of a woman trying to save her marriage while being ignored in favor of a child who isn’t even her own. Swasika plays Girija with conviction, but her inability to see her child’s behavioral issues feels like a frustrating throwback to outdated parenting tropes.


Rajkiran and Viji Chandrasekhar offer some light relief as an older couple whose playful bickering adds a slice of reality to an otherwise exaggerated world. Unfortunately, the film teases deeper ideas—like boundaries in extended families, or the emotional cost of over-parenting—but rarely dives into them meaningfully.

Maaman is heartfelt but stretched thin. What starts as a sweet premise quickly becomes repetitive and emotionally exhausting, with little payoff in the end. The film needed more nuance, better pacing, and a willingness to explore its themes with maturity rather than melodrama.

⭐ Verdict: 2.5/5

A well-intentioned family drama that bites off more chaos than it can chew. Some great performances can’t save the film from its uneven writing and one-note conflict.


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