Director: Adhik Ravichandran
Cast: Ajith Kumar, Trisha Krishnan, Usha Uthup, Rahul Dev, Pradeep Kabra, Sunil, Prasanna
Synopsis:
When a reformed gangster’s son is wrongly accused and imprisoned for a crime he didn’t commit, the father is left with no choice but to return to his violent past. What follows is a high-octane mission of vengeance and justice, filled with action, attitude, and emotion.
Review:
For die-hard Ajith Kumar fans, Good Bad Ugly is a full-blown celebration — almost every frame is crafted to honor the star’s iconic legacy. From nostalgic references to high-energy sequences that mirror his past blockbusters, this film is a pure treat for his loyal audience.
Director Adhik Ravichandran doesn’t hold back — this film is loud, fast-paced, and drenched in fan service. Think of it as a cinematic roller coaster that throws subtlety out the window and doubles down on larger-than-life moments. It’s a strategy similar to what Karthik Subbaraj attempted with Petta, though here the fan moments are far more in-your-face. And let’s be honest, that’s exactly what the fans came for — and they’re loving it.
However, for those outside the Ajith fandom or unfamiliar with Tamil cinema’s inside jokes and throwbacks, the experience might feel a bit overwhelming or even puzzling. This isn’t a film that tries to appeal to everyone — it knows its core audience and plays entirely to them.
The downside? The overwhelming fan reactions might encourage more filmmakers to prioritize hero worship over storytelling, which could be a double-edged sword for the industry at large.
Still, Good Bad Ugly is undeniably Ajith’s show. After dialing down the hero-centric moments in his previous outings like Vidaamuyarchi, Ajith seems to be pressing the reset button here — going full throttle to give his fans what they’ve been missing. And he looks like he’s enjoying every minute of it.
Adhik proves to be the perfect partner for this kind of spectacle. His filmmaking style is divisive — some love the flamboyance, others don’t. But there’s no denying his flair for maximalist cinema. His movies are brash, break the fourth wall, and deliver an adrenaline hit every few minutes. If "mass masala" is a genre, Adhik’s version is "max masala" — louder, flashier, and unapologetically over-the-top.
In the end, Good Bad Ugly doesn’t pretend to be anything it’s not. It’s an electrifying, all-out tribute to Ajith’s stardom. And if that’s what you’re here for, you won’t leave disappointed.
Rating: ★★★☆☆ (3/5)
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